7 Hills: Craiglockhart Hill and Monro Bagging

You’d be forgiven for forgetting about my project to walk up the 7 hills of Edinburgh by now: hell, I’d almost forgotten myself. The last time I posted – Hill Number 6 – was Arthur’s Seat back in December last year.

Well, there have been some challenging times this year, especially as regards Mrs F’s health (she’s improving now, thanks) and finishing this project wasn’t to the forefront.

Nevertheless, with the excellent company of my sister Carole I set off up Craiglockhart Hill that first weekend of this September when, as so often, indifferent August weather gives way to some glorious sunshine in Scotland.

There’s actually two Craiglockhart Hills, Easter and Wester. However, the conventional wisdom from t’internet was that Easter was the one that represented the 7th Edinburgh Hill, which is just as well, because from where we started off on Glenlockhart Road, Wester loomed above us, a sheer cliff of unwelcoming rock that said ‘you’ll have had your tea,’ in true Edinburgh fashion.

Craiglockhart is better know for the former Hydropathic Hospital and the War Poets – of which more presently – but at the foot of the Hill on this side, another name on the sign sparked a memory: Monro. The trees were apparently planted by Alexander Monro Secundus, or, as our American pals would say, the II. He was the middle of a family dynasty of Professors of Anatomy at Edinburgh University, and they came to own Craiglockhart Estate for a decent number of years.

Monro II (1733 – 1817) was a talented lecturer who contributed to the School of Anatomy’s international reputation at the time. Unfortunately for the dynasty, Sonny Boy (or Tertius if you insist) didn’t inherit the brainy gene, and was apparently incredibly dull. This was to have consequences, as the students decamped to other, private lecturers who were more entertaining, including one Robert Knox. The intense competition amongst them all led to the supply of cadavers for anatomy demonstrations becoming something of an issue.

That, in turn, led to some immigrant enterprise on the part of William Burke and William Hare, who supplied Knox’s dissection table with prime material without, it turned out, waiting for the material to die first. After the sensationalist trial of Burke and his execution (Hare turned King’s Evidence and escaped) the murderer’s corpse was turned over for dissection  to, you’ve guessed it, the official Uni guy, Alexander Monro III, who droned on to a packed audience drawn more by the celebrity of the guy on the slab than Monro’s lecturing skills. Apparently Monro used some of Burke’s blood in a quill pen, so he wasn’t without some sense of theatre, at least.

The Pentlands

Charles Darwin wasn’t a fan though,  writing to his family that “I dislike [Monro] and his lectures so much that I cannot speak with decency about them. He is so dirty in person and actions.”

Chuntering on about this connection to a well-known story to Carole, we quite quickly ascended to the summit – it’s not the biggest of hills by any manner of means – to be rewarded with views of Fife to the north, and the Pentlands to the south. You could even make out the bridges spanning the Forth in the former view.

Having taken some photos of the views, and observed the golfers hacking about on the northward slopes, there was still time to ponder Napier University’s Craiglockhart buildings, far below us. These originally comprised the former Hydropathic, commandeered during the First World War for soldiers recovering from the horrors of the trenches and what was then called shell shock. Among them were Wilfrid Owen and Siegfried Sassoon, two men who were to become famous for their war poetry.

When I was growing up, the prospect of a land-based war of bitter hand to hand fighting seemed much less likely than a set of missiles bearing nuclear warheads raining down on us and bringing the whole world to an end. Now, though, with the Ukrainians struggling through a counter-offensive to take back their country village by village, street by street, some of their words seem all too current:

What passing-bells for these who die as cattle?
      — Only the monstrous anger of the guns.
      Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
(Owen, Anthem for Doomed Youth)

The buildings have long passed into the hands of Napier University, Alison’s alma mater, and

Craiglockhart Campus, Napier University

turning from the Pentlands westwards you get a good view of the former hospital. As you can see, some architect in search of an award has inserted what bears to be a giant vacuum cleaner attachment in amongst the stone-built stuff.

Having done a 360 survey of the top of the Hill, there was nothing left but to go back down it again, heading this time for the Colinton Road entrance to get the bus back to town, albeit getting slightly lost and ending up at the back end of Morningside, near to the stop for the 38.
So, having done the seven hills of Edinburgh, what does it all mean? Why did I even do it in the first place, and what next?
Well, I know why I didn’t do it. I heard a conversation recently about a guy who had climbed all of the Munros, a Munro being a Scottish hill above a certain height. I’m not even interested enough to look up what the height is, to be honest, but ‘Munro-bagging’ is quite a popular pastime around these parts. I suppose it gets you oot the hoose, as we used to say.
Anyway, this guy, this bozo, had done all the Munros, so he was going to start all over and do the whole lot again. I don’t know. Maybe he doesn’t get on with his wife or something, but it wouldn’t be for me. I’m not a collector of things – no, not even guitars – so that’s not why I did all the seven hills of Edinburgh. So why, then?
Two things sprang to mind when I was thinking about this. Firstly, there’s a Scottish tradition of ‘walking the marches,’ where the town council or other municipal authorities would, once a year, go round the boundaries (marches) of the settlement, checking that all was in order and no one had encroached on the town’s property. It’s a tradition kept alive in various towns in the Borders with their Common Ridings, where it’s done on horseback. Good excuse for a pissup, I’m told.
The second thing was this. Shortly after I went to University my parents moved house and, as is sensible, kept our cat, Tigger, inside for the first few days until she got her head around the fact she was living in a different house in a different town.
When she was finally let outside, Tigger, who by this stage was quite elderly, proceeded to prowl round the immediate environs, hackles raised and growling, presumably to any other moggies that were within sight and sound of her new territory. Honour thus satisfied, she went back to her more usual hobbies of sleeping and noising up my parents for food.

I suppose why I did this climbing of the hills is a bit like both of these but not really. I’m not the City

Pic: Carole Allen

Council, nor indeed am I a cat. However, climbing all these hills – scattered as they are from the centre, southward and westward (mainly) was to get a perspective of my new home, not to mention a distant view of my old one over the Forth. And, from any perspective, Edinburgh is a pretty stunning mad dream of a place.

I came to live here first as a student, all those decades ago, and the truth is I never really meant to leave: nor did Alison, I think. It just kind of happened that way, but now we’ve come back, certainly for my part, the only way I’m leaving is feet first.
Which is by way of a sort of a segue into a note from our sponsors. I’ve just released my latest album for preorder, called ‘Home at Last.’ In a way it’s a bookend to my last full album, ‘Leaving Time,’ which featured songs in other people’s voices about the moment of leaving something behind. This one, assembled from a load of material recorded over the last three years but whittled down to 10 songs (well, 11 if you buy the whole thing and get the Leonard Cohen cover) looks back in its first half and forward in its second, towards things I intend to explore more in the years to come.
If I’m spared, as my non-religious father used to say.

 

 

4 comments

    • Neil, that’s exceedingly nice of you. I didn’t say in the blog, but I’m offering all those who preorder a slim volume of my poetry as a thank you – but you can opt out!

      I’m lucky that my other less creative skills give me enough money to live on without any proceeds from my music, and I suppose some others aren’t as fortunate. There’s a charity in Edinburgh that helps asylum seekers so that’s where this album’s sales will go.

      Thanks again, my friend.

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