andrewcferguson

writer, performer, musician, wine drinker

Tag Archives: leonard cohen

A Musical Advent Calendar – Day One

Image result for liberty advent calendar 2017

Liberty’s beauty one prompted people to queue for hours back in October. RRP was £175, but you can still get it on Ebay if you shell £450 or so. The Fortnum and Mason £125 wooden one with chocolates seems almost a snip in comparison; Edinburgh Gin has one with 25 miniatures (£100); Debenhams has a pork scratchings one, apparently. Hell, you can get one which gradually assembles a screwdriver set, or if you prefer, gives you a sex toys a day.

What on earth am I talking about? Advent calendars, of course, which have come a long, long way from my childhood, when we had the same cardboard effort come out of the loft every year, with the increasingly ajar doors revealing pictures of nativity type things like angels. Or shepherds. Or, on Christmas Eve, the Nativity, with our Redeemer in a manger surrounded by adoring adults and farm animals. Our Redeemer, mind. Not a sausage roll in a manger, Gregg’s the bakers! Bad Greggs.

Anyhoo. Here’s an advent calendar you don’t have to pay a thing for: in the lead up to Christmas, I’m going to put up a link to a song I like every day, and, if I have time, some sort of story about either its making or why it means something to me. Or both. They won’t all be the type of music you expect, and they sure as hell won’t be Christmas-related. Unless you count ‘Hallelujah’ (it’ll be the Cohen version, before you ask). And Springsteen’s cover of ‘Santa Claus Is Comin’ To Town’ will be the Christmas Eve one, I’m telling you right now. I might even take requests!

To kick things off, here’s a well known track – predictable, perhaps, but still ranked by some polls as the greatest rock song ever. It reminds me, somewhat counterintuitively, of Birmingham, a place I’ve visited three times: once to see England beat the Aussies at Edgbaston; once for a science fiction convention (back when I was masquerading as an sf writer) but, the first time, to see Dylan.

1987, his so-called ‘Temples in Flames’ tour, when he was backed by the late, great, Tom Petty and the Heartbreakers. Roger McGuinn came on first and did a so-so solo set; then Petty and the others emerged from the shadows and assisted him on a transcendent ‘Mr Tambourine Man.’ Then, after their own set, they provided a perfect foil to the wee man from Minnesota.

Dylan was still coming out of his Born Again phase, so we had a few Christian numbers to put up with. This version of Like A Rolling Stone made it all worthwhile though. I’ve seen Dylan three times, but I’ve never seen him better. This is from the Australian leg of the same tour.

Just before I go, here comes the money bit – instead of the Liberty calendar, you might want to think about giving some of your hard-earned to the Red Cross Myanmar appeal. I’m sure the politics of it is more complicated than the media’s portrayed, but bottom line is around 600,000 people are living in camps as winter closes in because of political, ethnic and/or religious differences. These guys are suffering, and could do with your help.

(Feel free to post your own thoughts and reflections on the song, His Bobness, or anything else you fancy)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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Looking for Leonard

So, as those of you who’ve already been bombed by my ultra-efficient (or not) publicity machine so far will know, I’m co-hosting a Leonard Cohen tribute night with the uber-talented Mr Norman Lamont, singer-songwriter of this parish (and NOTHING to do with Conservative economic policies in the 1980s – that’s the other one, that doesn’t know how to pronounce ‘Lamont’ the proper i.e. Scottish way).

Why Lenny? A previous post describes my long avoidance of his brilliance for the flimsiest of reasons, and my conversion at the hands of his utterly excellent 2012 album, ‘Old Ideas.’ Plus it means working with Norman, as well as a new venture for Isaac Brutal – an acoustic set! I’m really looking forward to working on the two songs we’ve gone for, both off ‘Old Ideas’ – ‘Going Home,’ and ‘Amen.’

Anyway, here’s the spiel:

Leonard Cohen, musician and sage, composer of ‘So Long Marianne’, ‘Suzanne’, ‘First We Take Manhattan’ and of course the ubiquitous ‘Hallelujah’, turned 80 in September.

Join us for a belated birthday celebration by Edinburgh’s singer-songwriter coven. The event is organised by songwriter Norman Lamont (following his two previous ‘Tip of the Hat’ events) and writer and musician Andrew C Ferguson, promoter of successful Dylan and Nick Cave events.

Expect a roster of some of the most talented local bands and songwriters, with their own take on Leonard’s mighty songbook, including Norman himself, Graeme Mearns, Ross Neilson and a host of others.

The gig is free but a collection will be taken for refugee charities and Scottish foodbanks.

A Third Tip of the Hat to Leonard Cohen, Friday 20th November, The Village, 16 South Fort Street, EH6 4DN 7.30 – 11.00 p.m.

 

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More Kantele Music

A more substantial blog, soon – but in the meantime, I’ve uploaded a track with the kantele I was telling you about in it (for those of you technically minded, I recorded the kantele part using a single Rode M2 mike, placed close to the middle strings – it’s absolutely dry: I’ve not added reverb or any other effect).

I’m still just mucking about with it, really – I don’t really know how to play it, but setting the song in A major gave the maximum opportunity for simple accompanying lines.

All the Time in Heaven: a (very brief) album review

I should, like all moral reviewers, start by declaring any interests. Norman Lamont has been on the bill of both gigs I’ve ever organised, namely Dylan Uncovered and Cry of the Cave People. He was recently an audience member at a Tribute to Venus Carmichael gig. He’s also, as it happens, just covered one of my songs, brilliantly so in my biased view, on Soundcloud: Somewhere You’re Out There.

However, I don’t owe him any actual money, and I don’t know him that well personally, just through music, as it were: I didn’t know, for example, that his daughter was in Nepal when the earthquake hit when I went on Saturday to see him at A Night for Nepal, at St Philip’s Church, Joppa, on Saturday. Norman read a (beautifully written) note from his daughter about her experience of the eathquake. It was a great night, with Nepalese dance, Bulgarian folk songs, blues harmonica, and custard filled pastries: Norman’s performance with his current band, The Heaven Sent, was the highlight though.

I also got the chance to buy a copy of his recent album, All the Time in Heaven, which showcases Norman’s songwriting and arranging skills perfectly. When I listen to stuff as good as this, I do wonder how, even in the cluttered landscape of music and musicians we all live in, guys like Norman aren’t better known than they are. Standouts so far on a limited amount of listens are the single, Not About to Fly, a jaunty story of childhood conspiracy theories; and Fingerpuppet, where the lyrics are counterpointed perfectly by the gorgeous acoustic guitars.

However, I’m thinking the opening track, The Monk From the Mountain of Sorrow, is one that will repay several listens – it’s complex, musically, with, again, rich lyrical underpinning: based loosely, I understand, on elements of Leonard Cohen’s life story.

But don’t just rely on what I say: have a listen. The link to Not About to Fly’s below. One other thing I didn’t know about Norman I take from that song: he’s from Ayrshire, the other end of the Central Belt coal seam from me in Fife. Maybe that’s why I feel an affinity!

Next up, I have the effrontery to answer my own interview questions. Plus musings on music and publishing business models, and some discoveries in an ex-Council Edinburgh flat.

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